“Conspiracy, Pornography, Democracy: The Recurrent Aesthetics of the American Illuminati.” Forthcoming from Journal of American Studies.
“The End of Reconstruction, Again: Dylann Roof, Thomas Dixon, Jr., and the Transhistorical Structures of Racist Feeling.” J19: The Journal of Nineteenth-Century Americanists 6.1 (2018): 174-81.
“Emancipatory Cosmology: Freedom’s Journal, The Rights of All, and the Revolutionary Movements of Black Print Culture.” American Quarterly 68.2 (2016): 263-86.
- Honorable Mention for the Research Society for American Periodicals Article Prize for 2018
“Troubling the Cold War Logic of Annihilation: Apocalyptic Temporalities in The Lone Ranger and Tonto Fistfight in Heaven.” PMLA 130.3 (2015): 599-614.
- Winner of the William Riley Parker Prize for 2015
“Transnational Healing in Pauline Hopkins’s Of One Blood; or, The Hidden Self.” NOVEL: A Forum on Fiction 46.3 (2013): 364-85.
“Circulation and Resistance: The Marrow of Tradition and the 1900 New Orleans Race Riot.” J19: The Journal of Nineteenth-Century Americanists 1.2 (2013): 363-85.
“The Anxiety of Audience: Economies of Readership in James’ Hawthorne.” Henry James Review 34.1 (2013): 1-15.
“‘To be indifferent and to be young’: Disraeli, Sybil, and the Preservation of an American ‘Race,’ 1879-1912.” Victorian Literature and Culture 39.2 (2011): 463-82.
“Finding a Voice: Reconciling Competing Discourses in Student Work.” The WAC Journal 20 (2009): 63-74.
“Makandal and the African Wild Boar: Reprinting and Race Science in the American Literature Classroom.” Common-place: Just Teach One 8 (Spring 2016).
Rev. of Plagiarama! William Wells Brown and the Aesthetic of Attractions, by Geoffrey Sanborn, and The Moral Economies of American Authorship: Reputation, Scandal, and the Nineteenth-Century Marketplace, by Susan Ryan. American Literature 90.1 (2018): 174-76.
Rev. of The Haitian Revolution and the Early United States: Histories, Textualities, Geographies, eds. Elizabeth Maddock Dillon and Michael Drexler. MELUS 42.4 (2017): 221–23.